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感谢在翻译中吾儿张曚给予的帮助——译者 注释： ①Richard A.Waterman.1956."Music in Aboriginal Culture-some sociological and psychological implications"; quoted in Merriam,The Anthropology of Music,p.225. ②Turnbull,Colin M.1961.The Forest People.New York:Simon and Schuster. ③Seeger,Anthony.2004[1987].Why Suy á Sing:A Musical Anthropology of an Amazonian People.Urbana:University of Illinois Press; quote from p.78. ④Deren,Maya.1984.Divine Horsemen:The Living Gods of Haiti.London and New York:Thames and Hudson. ⑤Bourdieu,Pierre.1977.Outline of a Theory of Practice.Cambridge:Cambridge University Press. ⑥Christopher A.Waterman.1982."'I'm a Leader,Not a Boss':Social Identity and Popular Music in Ibadan,Nigeria," Ethnomusicology 26(1):59-71; quotes from pp.67,68. ⑦Leslie A.White.1962.The Puebloof Sia,New Mexico; quoted Alan Merriam,The Anthropology of Music,p.225. ⑧Becker,Judith and Alton Becker.1981."A Musical Icon:Power and Meaning in Javanese Gamelan Music." In The Sign in Music and Literature,edited by Wendy Steiner.Austin:University of Texas Press,pp.203-215. ⑨Lomax,Alan.Folk Song Style and Culture.Washington,DC:American Association for the Advancement of Science; Lomax,Alan.1976.Cantometrics.Berkeley:The University of California Extension Media Center; quotes from pp.13,17. ⑩Alan Lomax.1968.Folk Song Style and Culture.Washington,DC:American Association for the Advancement of Science; quote from p.133. (11)Neuman,Daniel M.1980.The Life of Music in North India:The Organization of an Artistic Tradition.Detroit:Wayne State University Press. (12)Turino,Thomas.1993.Moving Away from Silence:Music of the Peruvian Altiplano and the Experience of Urban Migration.Chicago:University of Chicago Press; quote from p.77. (13)Henry Kingsbury.1988.Music,Talent,and Performance:A Conservatory Cultural System.Philadelphia:Temple University Press; quotes from pp.122,123,126. (14)Thomas Turino.2008.Music as Social Life:The Politics of Participation.Chicago:University of Chicago Press; quotes from pp.5-16. (15)Turino,Thomas.1999." Signs of Imagination,Identity,and Experience:A Peircean Semiotic Theory for Music." Ethnomusicology 43(2):221-55; quotes from pp.224,250. (16)Michael Tenzer,ed.2006.Analytical Studies in World Music.New York:Oxford University Press. (17)Thomas Turino.2008.Music as Social Life:The Politics of Participation.Chicago:University of Chicago Press; quote from p.1. (18)David McAllester.2006."Reminiscences of the Early Days." Ethnomusicology 50(2):199-203. (责任编辑：admin) |