|
原文参考文献： [1]K.M.Newton.Interpreting the Text [M].New York:St.Martin's,1990. [2]Joel Weinsheimer.Philosophical Hermeneutics and Literary Theory[M].New Haven:Yale University Press,1991. [3]Talbot J.Taylor.Mutual Misunderstanding:Skepticism and Theorizing of Language and Interpretation [M].Durham:Duke University Press,1992. [4]Umberto Eco,et al.Interpretation and Overinterpretation [M].Cambridge:Cambridge University Press,1992. [5]Joseph Margolis.Art and Philosophy [M].Atlantic Highlands:New Jersey,1980. [6]Umberto Eco.The Limits of Interpretation [M].Bloomington:Indiana University Press,1990. [7]Janet Staiger.Interpreting Films:Studies in the Historical Reception of American Cinema [M].Princeton University Press,1992. [8]Monroe Beardsley.Aesthetics:Problems in the Philosophy of Criticism [M].New York:Harcourt,Brace & World,1958. [9]Ronald de Sousa.Rationality in Emotion [M].Cambridge:MIT Press,1987. [10]Andrew Ortony,Gerald L.Clore,Allan Collins.The Cognitive Structure of Emotions [M].Cambridge:Cambridge University Press,1988. [11]Noel Canall.The Philosophy of Horror:Or Paradoxes of the Heart [M].New York:Routledge,1990. [12]David BoSwell.A Case for Cognitivism [J].Iris,1989 (9):11-40. [13]David Bordwell.A Case for Cognitivism:Further Reflections [J].Iris,1990 (11):107-112. [14]David Bordwell.Narration in the Fictional Film [M].Madison:Press of Wisconsin University,1985. [15]F.Perkins.Must We Say What They Mean? Film Criticism and Interpretation [J].Movie,1990 (34/35):1-6. [16]F.Perkins.Film as Film [M].Harmondsworth,England:Pengain,1972. [17]Malcolm Heath.Unity in Greek Poetics [M].Oxford:Clarendon Press,1989:3-8. [18]Maureen Turim.Flashback in Films:Memory and History [M].New York:Routledge,1989. [19]Henry Jenkins.What Made Pistachio Nuts? Early Sound Comedy and Vaudeville Aesthetic [M].New York:Columbia University,1992. (责任编辑：admin) |